Dramatic Experience
The Poetics of Drama and the Early Modern Public Sphere(s)
| dc.contributor.editor | Gvozdeva, Katja | |
| dc.contributor.editor | Korneeva, Tatiana | |
| dc.contributor.editor | Ospovat, Kirill | |
| dc.date.accessioned | 2018-09-07 23:55 | |
| dc.date.accessioned | 2019-03-14 11:11:18 | |
| dc.date.accessioned | 2020-04-01T12:29:31Z | |
| dc.date.available | 2020-04-01T12:29:31Z | |
| dc.date.issued | 2017 | |
| dc.identifier | 1000445 | |
| dc.identifier | OCN: 1076651285 | en_US |
| dc.identifier.issn | 2211-341X | |
| dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/29491 | |
| dc.description.abstract | The authors explore the convergence of dramatic theory, theatrical practice, and various modes of audience experience that contributed to the emergence of ‘public sphere(s)’ across early modern Europe — and in Asia. | |
| dc.language | English | |
| dc.relation.ispartofseries | Drama and Theatre in Early Modern Europe | |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History | en_US |
| dc.subject.other | history | |
| dc.subject.other | drama | |
| dc.title | Dramatic Experience | |
| dc.title.alternative | The Poetics of Drama and the Early Modern Public Sphere(s) | |
| dc.type | book | |
| oapen.identifier.doi | 10.1163/9789004329768 | |
| oapen.relation.isPublishedBy | af16fd4b-42a1-46ed-82e8-c5e880252026 | |
| oapen.relation.isFundedBy | 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 | |
| oapen.relation.isbn | 9789004329751 | |
| oapen.collection | European Research Council (ERC) | |
| oapen.series.number | 6 | |
| oapen.pages | 327 | |
| oapen.place.publication | Leiden; Boston | |
| oapen.grant.number | 246603 | |
| oapen.grant.acronym | DramaNet | |
| oapen.grant.program | FP7 | |
| oapen.identifier.ocn | 1076651285 |
