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Wayne State University

WSU

dc.date.accessioned2020-03-26T09:38:57Z
dc.date.available2020-03-26T09:38:57Z
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/3709
dc.typegrantor
oapen.relation.funds93e269d7-d704-43b7-8996-e97e944b288d
oapen.relation.funds31a1cf28-5d81-448b-88fa-e099ce1bf14b
oapen.relation.funds19447927-3382-4d3c-b33e-fb5f8419e2f2
grantor.nameWayne State University
grantor.acronymWSU
grantor.doi10.13039/100006710


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Funded publications

  • Chapter 1 A Semiotic Theory of Multimodality for the Divine Comedy
    De Benedictis, Raffaele (2024)
    In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante’s text ...
  • Chapter 2 The Semiotics of Multimodality in Discourse
    De Benedictis, Raffaele (2024)
    In this study discourse is considered as the act of communication that analyzes its internal dynamic process mediating between the intention of the author embedded in the text, the intention of the text, and various, ...
  • Chapter 5 Modality of Transcendental Signification in the Paradiso
    De Benedictis, Raffaele (2024)
    In the Paradiso, Dante attempts to emphasize the heightened tension between the limits of human language and the need to put into words a content that deals with divine ineffability. It is a content-stuff that is not ...