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        Chapter 2 The Semiotics of Multimodality in Discourse

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        Author(s)
        De Benedictis, Raffaele
        Language
        English
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        Abstract
        In this study discourse is considered as the act of communication that analyzes its internal dynamic process mediating between the intention of the author embedded in the text, the intention of the text, and various, hypothetical ways in which the receiver may orient a textual discourse. It is a phenomenological model because meaning is generated by the interplay of linguistic and non-linguistic influences. In this instance, a semiotics of multimodality in discourse can prove its efficacy as it steers the reader primarily toward “a general syntax of discursive operations” in that the “universe of signification” is seen as a “praxis rather than as a stable set of fixed forms” of modalities.
        Book
        A Semiotics of Multimodality and Signification in the Divine Comedy
        URI
        https://library.oapen.org/handle/20.500.12657/75835
        Keywords
        semiotics, multimodality, divine comedy, Literary Criticism, Multiliteracy, language-as-writing, signification
        DOI
        10.4324/9781003397298-2
        ISBN
        9781003397298, 9781032497334, 9781032501925
        Publisher
        Taylor & Francis
        Publisher website
        https://taylorandfrancis.com/
        Publication date and place
        2024
        Grantor
        • Wayne State University
        Imprint
        Routledge
        Pages
        37
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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