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    Digital Image Systems

    Photography and New Technologies at the Düsseldorf School

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    Author(s)
    Gunti, Claus
    Collection
    Swiss National Science Foundation (SNF)
    Language
    English
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    Abstract
    In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«.
    URI
    http://library.oapen.org/handle/20.500.12657/37408
    Keywords
    Photography; Art; Digital; Culture; Computer; Germany; Düsseldorf School; Thomas Ruff; Andreas Gursky; Jörg Sasse; Art History of the 21st Century; European Art; Visual Studies; Fine Arts
    DOI
    10.14361/9783839439029
    ISBN
    9783839439029
    Publisher
    transcript Verlag
    Publisher website
    https://www.transcript-verlag.de/
    Publication date and place
    Bielefeld, 2020
    Grantor
    • Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
    Imprint
    transcript Verlag
    Series
    Image, 116
    Classification
    Photographic equipment and techniques: general
    Pages
    352
    Rights
    http://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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