The Political Dramaturgy of Nicodemus Frischlin
Essays on Humanist Drama in Germany
Abstract
This is the first comprehensive study of the dramas of Nicodemus Frischlin (1547–1590), one of the most versatile and complex playwrights of early modern Germany. Frischlin’s broad range encompassed biblical, confessional, and historical drama, all of which expressed bold social and political criticism. His plays were influential, frequently printed and translated, and often controversial. He ended his short life trying to escape prison, where he was being held for threatening further political publications. Price analyzes Frischlin’s dramatic output, as well as humanist literary theory, in particular Renaissance approaches to rhetoric and imitation, to explain how humanists modified or even subverted classical forms to accommodate political and theological activism.
Keywords
German studies; Literature; Theatre and DramaDOI
10.5149/9781469656656_PricePublisher
University of North Carolina PressPublisher website
https://uncpress.org/Publication date and place
Chapel Hill, 1990Grantor
Series
UNC Studies in the Germanic Languages and Literatures, 111Classification
Literature: history and criticism