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dc.contributor.authorCurtin, Michael
dc.contributor.authorSanson, Kevin
dc.date.accessioned2020-12-15T13:51:06Z
dc.date.available2020-12-15T13:51:06Z
dc.date.issued2017
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/43702
dc.description.abstractMotion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality—all of which are sources of enormous pride among Hollywood’s craft and creative workers. The interviews collected here showcase the pleasures that attract people to careers in film and television. They also reflect critically on changes in the workplace brought about by corporate conglomeration and globalization. Rather than offer publicity-friendly anecdotes by marquee celebrities, Voices of Labor presents off-screen observations about the everyday realities of Global Hollywood. Ranging across job categories—from showrunner to make-up artist to location manager—this collection features voices of labor from Los Angeles, Atlanta, Prague, and Vancouver. Together they show how abstract concepts like conglomeration, financialization, and globalization are crucial tools for understanding contemporary Hollywood and for reflecting more generally on changes and challenges in the screen media workplace and our culture at large. “Essential reading for anyone interested in how Hollywood actually works.” -RAMON LOBATO, author of Shadow Economies of Cinema “Michael Curtin and Kevin Sanson craft a powerful elegy for organized labor, demonstrating how critical theory is sung to the everyday rhythms of the workplace.” -VICKI MAYER, author of Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy “A star-studded cast with diverse talents, backgrounds, and perspectives tells a varied but consistent tale of the importance of organized labor and the challenges it faces when pitted against the forces of media consolidation and globalization, all set in that magical company town known as Hollywood.” -PATRIC M. VERRONE, writer and producer, former president, Writers Guild of America, West MICHAEL CURTIN is Duncan and Suzanne Mellichamp Professor of Film and Media Studies and director of the Global Dynamics Initiative at University of California, Santa Barbara. KEVIN SANSON is a senior lecturer in the Creative Industries Faculty at Queensland University of Technology and managing editor of Media Industries.
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.otherSocial Science
dc.subject.otherMedia Studies
dc.titleVoices of Labor
dc.title.alternativeCreativity, Craft, and Conflict in Global Hollywood
dc.typebook
oapen.identifier.doihttps://doi.org/10.1525/luminos.26
oapen.relation.isPublishedBy72f3a53e-04bb-4d73-b921-22a29d903b3b
virtual.oapen_relation_isPublishedBy.publisher_nameUniversity of California Press
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://www.ucpress.edu/
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
virtual.oapen_relation_isFundedBy.grantor_nameKnowledge Unlatched
oapen.relation.isbn9780520968196
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintUniversity of California Press
oapen.identifierhttps://openresearchlibrary.org/viewer/21b2a539-8fa4-4a82-bc74-d8aa8466b9b1
oapen.identifier.isbn9780520968196


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