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dc.contributor.editorEley, Geoff
dc.contributor.editorThomas, Julia Adeney
dc.date.accessioned2020-12-15T14:01:48Z
dc.date.available2020-12-15T14:01:48Z
dc.date.issued2020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/43829
dc.description.abstractVisualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languages, articulate commentaries on the dynamic nature of national identity, and form both supportive and challenging attitudes about the global right. In particular, this volume seeks to challenge the notion that fascism is primarily a national product of Italy, Japan, and Germany; rather it seeks to locate the rise of fascism and the global right in transnational networks connected by capitalism and imperialism.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world historyen_US
dc.subject.otherHistory
dc.subject.otherModern
dc.subject.other20th Century
dc.titleVisualizing Fascism
dc.title.alternativeThe Twentieth-Century Rise of the Global Right
dc.typebook
oapen.identifier.doihttps://doi.org/10.1215/9781478004387
oapen.relation.isPublishedByf0d6aaef-4159-4e01-b1ea-a7145b2ab14b
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9781478004387
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintDuke University Press
oapen.identifierhttps://openresearchlibrary.org/viewer/2d6e1b49-4587-430d-b876-bebb6cf8ad02
oapen.identifier.isbn9781478004387
grantor.number103796


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