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dc.contributor.authorStarr, Deborah A.
dc.date.accessioned2020-10-14T09:39:00Z
dc.date.available2020-10-14T09:39:00Z
dc.date.issued2020
dc.identifierONIX_20201014_9780520976122_8
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/42589
dc.description.abstractIn this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.;“A captivating account of Egyptian film director Togo Mizrahi. Starr shows that Mizrahi’s distinct, often comical vision of Egypt captured a dramatic moment of social, political, and cultural transformation in which people of diverse backgrounds coexisted and struggled to achieve better lives.” JOEL GORDON, author of Revolutionary Melodrama: Popular Film and Civic Identity in Nasser’s Egypt;“A remarkable study of a remarkable career. Starr offers a comprehensive analysis of a life in filmmaking that adds nuance to our definition of Egyptian nationalism and enhances our appreciation of Alexandrian cinema. This is a book of recovery, reclamation, and celebration.” NANCY E. BERG, Professor of Hebrew and Comparative Literature, Washington University in St. Louis
dc.languageEnglish
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSR Religious groups: social & cultural aspects::JFSR1 Jewish studies
dc.subject.classificationbic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJF Asian history::HBJF1 Middle Eastern history
dc.subject.otherFilm Studies
dc.subject.otherJewish Studies
dc.subject.otherMedia Studies
dc.subject.otherMiddle Eastern Studies
dc.titleTogo Mizrahi and the Making of Egyptian Cinema
dc.typebook
oapen.identifier.doi10.1525/luminos.91
oapen.relation.isPublishedBy72f3a53e-04bb-4d73-b921-22a29d903b3b
virtual.oapen_relation_isPublishedBy.publisher_nameUniversity of California Press
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://www.ucpress.edu/
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
virtual.oapen_relation_isFundedBy.grantor_nameKnowledge Unlatched
oapen.collectionKnowledge Unlatched (KU)
oapen.collectionToward an Open Monograph Ecosystem (TOME)
oapen.imprintUniversity of California Press
oapen.pages253
oapen.place.publicationOakland
oapen.identifierhttps://openresearchlibrary.org/viewer/a5f3aa2e-bc77-455c-a5e2-ff0b8fbe2471
oapen.identifier.isbn9780520976122


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