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    Affektpoetiken des New Hollywood

    Suspense, Paranoia und Melancholie

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    Author(s)
    Lehmann, Hauke
    Language
    German
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    Abstract
    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.
    URI
    https://library.oapen.org/handle/20.500.12657/48419
    Keywords
    Film history/ in the USA; affect; temporality
    DOI
    10.1515/9783110488739
    ISBN
    9783110488739, 9783110480115, 9783110488760, 9783110488739
    Publisher
    De Gruyter
    Publisher website
    https://www.degruyter.com/
    Publication date and place
    Berlin/Boston, 2016
    Series
    Cinepoetics, 2
    Classification
    Films, cinema
    Television
    Media studies
    Pages
    374
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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