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dc.contributor.editorSmelik, Anneke
dc.date.accessioned2021-06-11T03:30:28Z
dc.date.available2021-06-11T03:30:28Z
dc.date.issued2010
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/49464
dc.description.abstractPopular media, art and science are intricately interlinked in contemporary visual culture. This book analyses the ›scientific imaginary‹ that is the result of the profound effects of science upon the imagination, and conversely, of the imagination in and upon science. As scientific developments in genetics, information technology and cybernetics open up new possibilities of intervention in human lives, cultural theorists have explored the notion of the ›posthuman‹. The Scientific Imaginary in Visual Culture analyses figurations of the ›posthuman‹ in history and philosophy, as well as in its utopian and dystopian forms in art and popular culture. The authors thus address the blurring boundaries between art and science in diverse media like science fiction film, futurist art, video art and the new phenomenon of ›bio-art‹. In their evaluations of the scientific imaginary in visual culture, the authors engage critically with current scientific and technological concerns.
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DQ Anthologies (non-poetry)
dc.subject.otherLiterary Collections
dc.titleThe Scientific Imaginary in Visual Culture
dc.typebook
oapen.identifier.doihttps://doi.org/10.14220/9783862347568
oapen.relation.isPublishedBy2e5d1011-bb15-4047-a5a0-5a0fc0d52b68
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintV&R unipress
oapen.identifierhttps://openresearchlibrary.org/viewer/c980e118-7534-4bab-b009-f77e33051e0d
oapen.identifier.isbn9783862347568
grantor.number4986


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