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dc.contributor.editorZimmermann, Clemens
dc.contributor.editorKlinkhammer, Lutz
dc.date.accessioned2021-06-21T13:37:10Z
dc.date.available2021-06-21T13:37:10Z
dc.date.issued2021
dc.identifierONIX_20210621_9783968220178_18
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/49655
dc.description.abstractBased on a comparative, transnational approach, the international group of authors focuses on the respective national interpretations of the past in Germany and Italy, as presented in the medium of film between 1945 and around 1955, and also addresses the mutual perception of the films. In the 12 contributions, both the filmic narrative patterns of important individual works are analyzed and the contemporary context of the debate about the horrors and trauma of the National Socialist and Fascist past in both countries is included.
dc.languageEnglish
dc.relation.ispartofseriesOnline-Schriften des DHI Rom. Neue Reihe; Pubblicazioni online del DHI Roma. Nuova serie
dc.subject.classificationbic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history
dc.subject.otherRubble film
dc.subject.otherNeorealism
dc.subject.otherFilm
dc.subject.otherCinema
dc.subject.otherHolocaust
dc.subject.otherCollective remembrance
dc.subject.otherTrümmerfilm
dc.subject.otherNeorealismus
dc.subject.otherKino
dc.subject.otherKollektives Gedächtnis
dc.titleCinema as a Political Media
dc.title.alternativeGermany and Italy Compared, 1945–1950s
dc.typebook
oapen.abstract.otherlanguageSulla base di un approccio comparato e transnazionale, il volume esamina le rispettive interpretazioni del proprio passato in Germania e in Italia nello specchio della produzione cinematografica tra il 1945 e il 1955, nonché la reciproca ricezione dei film. In 12 contributi gli autori internazionali analizzano trama e narrativa di alcuni importanti film, considerando anche il contesto in cui si svolse allora, nei due paesi, il dibattito sugli orrori e traumi del passato nazionalsocialista e fascista.
oapen.abstract.otherlanguageAus einem vergleichenden, transnationalen Ansatz heraus nimmt die internationale Autorengruppe die jeweiligen nationalen Interpretationen der Vergangenheit in Deutschland und Italien, wie sie sich im Medium des Films zwischen 1945 und etwa 1955 darstellen, in den Blick und thematisiert auch die wechselseitige Wahrnehmung der Filme. In den 12 Beiträgen werden sowohl die filmischen Erzählmuster von wichtigen Einzelwerken analysiert als auch der zeitgenössische Kontext der Debatte über die Schrecken und Traumata der nationalsozialistischen wie faschistischen Vergangenheit in den beiden Ländern einbezogen.
oapen.identifier.doi10.17885/heiup.651
oapen.relation.isPublishedBye783d080-4414-442b-9d7e-07b750c7b25d
oapen.relation.isbn9783968220178
oapen.relation.isbn9783968220161
oapen.relation.isbn9783968220154
oapen.series.number5
oapen.pages240
oapen.place.publicationHeidelberg


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