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    The Original Portrayal of Mozart’s Don Giovanni

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    Author(s)
    Schneider, Magnus Tessing
    Language
    English
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    Abstract
    The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.
    URI
    https://library.oapen.org/handle/20.500.12657/51420
    Keywords
    Ashgate Interdisciplinary Studies in Opera; adaptation; criticism; Da Ponte; dramatury; enlightenment; German reception; Luigi Bassi; Magnus Tessing Schneider; Mozart’s Don Giovanni; Music History; morality; Opera Studies; performance history; stage production; Theatre and Performance Studies; translation; Wolfgang Amadeus Mozart
    DOI
    10.4324/9780429281709
    ISBN
    9781000510539, 9781032158334, 9780429281709, 9780367243203, 9781000510539
    Publisher
    Taylor & Francis
    Publisher website
    https://taylorandfrancis.com/
    Publication date and place
    2022
    Grantor
    • Stockholms Universitet
    Imprint
    Routledge
    Series
    Ashgate Interdisciplinary Studies in Opera,
    Classification
    Music
    Pages
    260
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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