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dc.contributor.editorBeckman, Karen Redrobe
dc.date.accessioned2022-02-17T05:31:38Z
dc.date.available2022-02-17T05:31:38Z
dc.date.issued2014
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/52901
dc.description.abstractAnimating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFV Animated films
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.otherPerforming Arts
dc.subject.otherAnimation
dc.subject.otherPerforming Arts
dc.subject.otherFilm
dc.subject.otherHistory & Criticism
dc.titleAnimating Film Theory
dc.typebook
oapen.relation.isPublishedByf0d6aaef-4159-4e01-b1ea-a7145b2ab14b
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintDuke University Press
oapen.identifierhttps://openresearchlibrary.org/viewer/e3f98b5d-5347-44d7-87b7-610b2c92925d
oapen.identifier.isbn9781478091950
grantor.number6979


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