War in Film
Semiotics and Conflict Related Sign Constructions on the Screen
dc.contributor.editor | Jacob, Frank | |
dc.date.accessioned | 2022-03-31T08:49:29Z | |
dc.date.available | 2022-03-31T08:49:29Z | |
dc.date.issued | 2022 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/53676 | |
dc.description.abstract | The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well. | en_US |
dc.language | English | en_US |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema | en_US |
dc.subject.other | Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti | en_US |
dc.title | War in Film | en_US |
dc.title.alternative | Semiotics and Conflict Related Sign Constructions on the Screen | en_US |
dc.type | book | |
oapen.identifier.doi | 10.14631/978-3-96317-852-8 | en_US |
oapen.relation.isPublishedBy | 1693c2dd-7cd7-4dac-b4bb-0dec0525ad05 | en_US |
oapen.relation.isbn | 9783963173035 | en_US |
oapen.pages | 229 | en_US |