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        War in Film

        Semiotics and Conflict Related Sign Constructions on the Screen

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        Contributor(s)
        Jacob, Frank (editor)
        Language
        English
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        Abstract
        The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.
        URI
        https://library.oapen.org/handle/20.500.12657/53676
        Keywords
        Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti
        DOI
        10.14631/978-3-96317-852-8
        ISBN
        9783963178528, 9783963173035
        Publisher
        Büchner-Verlag
        Publication date and place
        2022
        Classification
        Media studies
        Film: styles and genres
        Films, cinema
        Pages
        229
        Rights
        https://creativecommons.org/licenses/by-nc/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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