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        Musikerne, bransjen og samfunnet

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        Contributor(s)
        Røyseng, Sigrid (editor)
        Stavrum, Heidi (editor)
        Vinge, John (editor)
        Language
        Norwegian
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        Abstract
        Among all artists in Norway, musicians are the majority, and this book is all about them. Musicians work in many different fields, across a broad spectrum of professional roles, and they express themselves in many different genres. You experience them at clubs and on concert stages nationally and internationally. You find them at the podium leading a philharmonic and in the orchestra pit when musicals, plays, dance, and opera are on the program. You encounter them as teachers in music schools, elementary schools, and high schools. You meet them as musical directors and motivators behind choirs, marching bands, and folk music groups. You meet them in our churches and as driving forces in big cities and remote towns, in school gymnasiums and community house auditoriums. The twelve chapters focus attention on musicians’ actual jobs and daily work life. The book describes transformations and trends within the music industry and society in general that have an impact on musicians’ professional development and wellbeing. The book’s four parts look at changes in the musician’s role, professionalization, digitalization, and cultural-political and societal developments that all influence working conditions in the music industry, resulting in differing circumstances for different types of musicians.
         
        Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunnskolen og på videregående. Du møter dem som musikalske ledere og drivkrefter i kor, korps og spellemannslag. Du møter dem i de mange kirkene våre og som ildsjeler i bygd og by, gymsaler og grendehus. Gjennom tolv kapitler rettes oppmerksomheten mot musikernes konkrete arbeidsoppgaver og arbeidshverdag. Boka beskriver endringer og tendenser i musikkbransjen og i samfunnet som er viktige for hvordan musikere kan, vil og får utfolde seg. Bokas fire deler ser på endringer i musikerrollen, profesjonalisering, digitalisering og kulturpolitiske og samfunnsmessige utviklingstrekk som alle påvirker arbeidsforholdene i bransjen, og gir ulike vilkår for ulike typer musikere.
         
        URI
        https://library.oapen.org/handle/20.500.12657/54230
        Keywords
        Music industry, higher music education, professionalization, digitalization, creative industries, cultural entrepreneurship; Musikkbransjen, høyere musikkutdanning, profesjonalisering, digitalisering, kreativ næring, kulturelt entreprenørskap
        DOI
        10.23865/noasp.160
        ISBN
        9788202716264, 9788202761172, 9788202766269, 9788202766252, 9788202766276
        Publisher
        Cappelen Damm Forskning
        Publisher website
        https://cdforskning.no/
        Publication date and place
        Oslo, 2022
        Classification
        Theory of music and musicology
        Music industry
        Pages
        323
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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