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dc.contributor.authorDörre, Robert
dc.date.accessioned2022-04-28T11:20:19Z
dc.date.available2022-04-28T11:20:19Z
dc.date.issued2022
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/54231
dc.description.abstractIn recent years, new forms of public self-documentation have become popular on social media platforms and especially through so-called influencers, forming their own media cultural microcosm. Even though YouTube has become emblematic of this cultural technique, media self-documentations are also formative for other services such as Instagram, TikTok, or Snapchat. Robert Dörre understands the emergence of these self-designs as an aesthetic practice and traces the media-historical shifts that public self-documentation has experienced on the Internet. In order to make these specific aesthetics, rituals, motifs, and economies accessible to media cultural studies, the work approaches the phenomenon from five perspectives: The reception as authentic self, the self as part of social media, the self as brand, the serial self, and the self as amateur and artist.en_US
dc.languageGermanen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.classificationthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTC Communication studiesen_US
dc.subject.classificationthema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNJ Entertainment and media lawen_US
dc.subject.othersocial media; self-staging; YouTube; TikTok; Instagram; Snapchat; Twitch; gender; digital lifestyleen_US
dc.titleMediale Entwürfe des Selbsten_US
dc.title.alternativeAudiovisuelle Selbstdokumentation als Phänomen und Praktik der sozialen Medienen_US
dc.typebook
oapen.identifier.doi10.14631/978-3-96317-808-5en_US
oapen.relation.isPublishedBy1693c2dd-7cd7-4dac-b4bb-0dec0525ad05en_US
oapen.relation.isbn9783963172687en_US
oapen.pages491en_US


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