This book addresses a subject of great interest for German culture, and that of Europe in general: the emergence and development in Germany, indicatively between 1890 and 1930, of an eclectic pan-artistic movement aimed at renewal of the art of printing and the circulation of artistic books. The author takes his cue from an analysis of the decline in the quality of the book as object, degraded to a serial product and deprived of its artistic specificity by the modern book industry, in order to offer a complete overview of the different expressions of the Buchkunstbewegung. Prominent figures of illustrators and publishers are the subject of in-depth study, as are the printing works and the journals that had the greatest cultural influence at the time, from the original viewpoint of their bibliophilic production.