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    Chapter Ad alta voce: l’essenza fonico-acustica e gestuale del cursus nel Decameron

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    Author(s)
    Mondani, Paola
    Language
    Italian
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    Abstract
    Moving from the studies carried out by Alfredo Schiaffini and Vittore Branca on Boccaccio’s reuse, in its prosaic masterpieces (the Filocolo, the Elegy of Madonna Fiammetta and the Decameron), of mediaeval rhetorical-rhythmics rules, the essay offers an analysis of cursus applied to Decameron, realized by separating the text into three parts: introductive-proemial section, narrative section and dialogue section. The rhetorical devices are more strictly employed both in the first part, when the author or the internal storytellers speak, and into speeches given by characters in the middle of the narration. This, according to the original function of Greek cursus, would suggest its use in Boccaccio’s prose as a mimetic device, that replicates the oratory declamation.
    URI
    https://library.oapen.org/handle/20.500.12657/56177
    Keywords
    Cursus; Prose rhythm; Rhetoric; Boccaccio; Decameron
    DOI
    10.36253/978-88-5518-236-2.04
    ISBN
    9788855182362, 9788855182362
    Publisher
    Firenze University Press
    Publisher website
    https://www.fupress.com/
    Publication date and place
    Florence, 2020
    Series
    Studi e saggi, 219
    Pages
    24
    Rights
    https://creativecommons.org/licenses/by/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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