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dc.contributor.authorSVANDRLIK, Rita
dc.date.accessioned2022-06-01T12:23:43Z
dc.date.available2022-06-01T12:23:43Z
dc.date.issued2021
dc.identifierONIX_20220601_9788855183383_603
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56418
dc.description.abstractIn Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.otherFirst and Second World War
dc.subject.otherHistorical Memory
dc.subject.otherMourning Elaboration
dc.subject.otherNarrated Time and Narrative Time
dc.titleChapter Il tempo non lineare in Esterno giorno – Val Rosandra di Claudio Magris e in La gita delle ragazze morte di Anna Seghers
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-338-3.08
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855183383
oapen.series.number59
oapen.pages11
oapen.place.publicationFlorence


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