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dc.contributor.authorDias Nunes de Almeida, Ana Catarina
dc.date.accessioned2022-06-01T12:28:49Z
dc.date.available2022-06-01T12:28:49Z
dc.date.issued2021
dc.identifierONIX_20220601_9788855184670_758
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56574
dc.description.abstractThe starting point of this paper is three works of the contemporary Portuguese writer Mário Cláudio – the novels Peregrinação de Barnabé das Índias (1998), Os Naufrágios de Camões (2017) and the play A Ilha de Oriente (1989) –, focusing on how the author rewrites the voyages of Discovery of the 16th century and shapes an image of the East. My aim is to analyse the representation of the so-called Orient and the memory of maritime travels, not only from the point of view of Mário Cláudio’s poetics, but also in the light of a collective discourse that is at the same time aesthetic, historical and mythical.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.subject.otherContemporary literature
dc.subject.otherPortuguese Orientalism
dc.subject.otherVoyages of Discovery
dc.subject.otherMário Cláudio.
dc.titleChapter Viaggi, tempi e mondi: l’Oriente nell’opera di Mário Cláudio
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-467-0.26
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855184670
oapen.series.number225
oapen.pages10
oapen.place.publicationFlorence


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