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    Chapter Introduction

    Proposal review

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    Author(s)
    Miles, Melissa
    Language
    English
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    Abstract
    Photography, Truth and Reconciliation examines the special place of photographs in contexts of truth and reconciliation. The moral and political implications of viewing photographs of human suffering, especially from a political and geographic distance, informs much of this body of work. The importance of acknowledging these contextual specificities is why Photography, Truth and Reconciliation is structured around five discrete national case studies: Argentina, South Africa, Canada, Australia and Cambodia. Photography’s ability to lend itself to different forms of truth means that this medium has been eagerly adopted in contexts of truth and reconciliation. Reconciliation and its relationships to photography, truth and history are similarly variable and contextually determined. In studies of transitional justice, there is little consensus about what reconciliation means and how it can be achieved. The chapter also presents an overview on the key concepts discussed in this book.
    Book
    Photography, Truth and Reconciliation
    URI
    https://library.oapen.org/handle/20.500.12657/57125
    Keywords
    history of photography, art history, visual studies
    DOI
    10.4324/9781003103820-1
    ISBN
    9781032220239, 9781474296069, 9781003103820
    Publisher
    Taylor & Francis
    Publisher website
    https://taylorandfrancis.com/
    Publication date and place
    2020
    Grantor
    • Monash University
    Imprint
    Routledge
    Pages
    19
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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