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dc.contributor.authorKowal, Rebekah J.
dc.date.accessioned2022-10-11T08:10:07Z
dc.date.available2022-10-11T08:10:07Z
dc.date.issued2020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/58545
dc.description.abstractThis book examines international dance performances in New York City in the 1940s as sites in which dance artists and audiences contested what it meant to practice globalism in mid-twentieth-century America. Debates over globalism in dance proxied larger cultural struggles over how to reconcile the nation’s new role as a global superpower. In dance as in cultural politics, Americans labored over how to realize diversity while honoring difference and manage dueling impulses toward globalism, on the one hand, and isolationism, on the other.en_US
dc.languageEnglishen_US
dc.relation.ispartofseriesOxford Studies in Dance Theoryen_US
dc.subject.classificationbic Book Industry Communication::A The arts::AS Dance & other performing artsen_US
dc.subject.otherPerforming arts, dance, ballet, modern dance, world dance, dance, globalism, internationalism, modernism, ethnic, ethnologic, New York City, 1940s, mid-century, mid-twentieth centuryen_US
dc.titleDancing the World Smalleren_US
dc.title.alternativeStaging Globalism in Mid-Century Americaen_US
dc.typebook
oapen.identifier.doi10.1093/oso/9780190265311.001.0001en_US
oapen.relation.isPublishedByb9501915-cdee-4f2a-8030-9c0b187854b2en_US
oapen.relation.isbn9780190265328en_US
oapen.relation.isbn9780190265311en_US
oapen.relation.isbn9780190265359en_US
oapen.relation.isbn9780190265342en_US
oapen.pages296en_US
oapen.remark.publicFunder name: The University of Iowa - Department of Dance


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