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    Dancing the World Smaller

    Staging Globalism in Mid-Century America

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    Author(s)
    Kowal, Rebekah J.
    Language
    English
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    Abstract
    This book examines international dance performances in New York City in the 1940s as sites in which dance artists and audiences contested what it meant to practice globalism in mid-twentieth-century America. Debates over globalism in dance proxied larger cultural struggles over how to reconcile the nation’s new role as a global superpower. In dance as in cultural politics, Americans labored over how to realize diversity while honoring difference and manage dueling impulses toward globalism, on the one hand, and isolationism, on the other.
    URI
    https://library.oapen.org/handle/20.500.12657/58545
    Keywords
    Performing arts, dance, ballet, modern dance, world dance, dance, globalism, internationalism, modernism, ethnic, ethnologic, New York City, 1940s, mid-century, mid-twentieth century
    DOI
    10.1093/oso/9780190265311.001.0001
    ISBN
    9780190265328, 9780190265311, 9780190265359, 9780190265342, 9780190265335
    Publisher
    Oxford University Press
    Publisher website
    https://global.oup.com/
    Publication date and place
    2020
    Series
    Oxford Studies in Dance Theory,
    Classification
    Dance & other performing arts
    Pages
    296
    Public remark
    Funder name: The University of Iowa - Department of Dance
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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