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    Topografie der Einbildungskraft

    (Re-)Lektüren aus dem Diskurs des Gedenkens

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    Author(s)
    Kock, Sabine
    Language
    German
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    Abstract
    Starting from Adorno's dictum, what arts and culture could be after the reality of Auschwitz, the philosopher Sabine Kock takes central argumentations of Theodor W. Adorno and Max Horkheimer, Hannah Arendt, Jean-François Lyotard, Sarah Kofman, Georges Didi-Huberman into view. For all of them imagination is an indispensable philosophical category and social force, but in fundamentally different ways. Kant proves to be a central reference: on the one hand as the guarantor of an irretrievably past, coherent world, on the other hand as the source of a fateful turn in the dialectic of enlightenment. Film material of the trial against Adolf Eichmann as well as an epilogue referring to the reflective narrator Ruth Klüger add this perspective.
     
    Ausgehend von Adornos einflussreichem Diktum, was Kultur nach Auschwitz überhaupt sein könne, nimmt die Philosophin Sabine Kock zentrale Argumentationen von Theodor W. Adorno und Max Horkheimer, Hannah Arendt, Jean-François Lyotard, Sarah Kofman, Georges Didi-Huberman in den Blick. Für sie alle ist die Einbildungskraft eine unabdingbare philosophische Kategorie und gesellschaftliche Kraft, jedoch auf grundlegend verschiedene Weise. Kant erweist sich dabei als zentrale Referenz: einerseits als Garant einer unwiederbringlich vergangenen, kohärenten Welt, andererseits als Quelle einer verhängnisvollen ‚Dialektik der Aufklärung‘. Filmmaterial aus dem Prozess gegen Adolf Eichmann sowie ein Epilog über die reflexive Erzählerin Ruth Klüger ergänzen diese Perspektive.
     
    URI
    https://library.oapen.org/handle/20.500.12657/59150
    Keywords
    Erkenntnistheorie, Ästhetik, Einbildungskraft, Gedenken. Frankfurter Schule (Kritische Theorie), Französische Philosophie, Dekonstruktion, Phänomenologie; Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Philosophie, Ethik (6031) -- Erkenntnistheorie (603102); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Philosophie, Ethik (6031) -- Ã sthetik (603101); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunsttheorie (604020); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Philosophie, Ethik (6031) -- Kulturphilosophie (603108); Epistemology, Power of Imagination, Remenbrance, Critical Theory, French Philosophy, Deconstruction, Phenomenology; Ã FOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Philosophy, Ethics (6031) -- Epistemology (603102); Ã FOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Philosophy, Ethics (6031) -- Aesthetics (603101); Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art theory (604020); Ã FOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Philosophy, Ethics (6031) -- Cultural philosophy (603108)
    ISBN
    9783709204818
    Publisher
    Passagen Verlag
    Publisher website
    https://www.passagen.at/
    Publication date and place
    2022
    Grantor
    • Austrian Science Fund (FWF) - PUB 882
    Imprint
    Passagen Verlag
    Rights
    http://creativecommons.org/licenses/by/4.0/
    • Harvested from FWF

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    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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