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        Genre und Gemeinsinn

        Hollywood zwischen Krieg und Demokratie

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        Author(s)
        Kappelhoff, Hermann
        Language
        German
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        Abstract
        Based on the premise that a society`s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.
        URI
        https://library.oapen.org/handle/20.500.12657/59502
        Keywords
        War films; genre theory; sense of commonality; poetics of affect
        DOI
        10.1515/9783110466966
        ISBN
        9783110466966, 9783110466966, 9783110465228, 9783110467147
        Publisher
        De Gruyter
        Publisher website
        https://www.degruyter.com/
        Publication date and place
        Berlin/Boston, 2016
        Imprint
        De Gruyter
        Series
        Cinepoetics, 1
        Classification
        Films, cinema
        Film history, theory or criticism
        Media studies
        Psychology: emotions
        Cognition and cognitive psychology
        Political science and theory
        Pages
        420
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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