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    Im Strom der Bewegungsbilder

    Film-, Bildungs- und Pflegeprozesse ausgehend von Michael Hanekes »Liebe«

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    Author(s)
    Hänel, Jonas
    Language
    German
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    Abstract
    Gilles Deleuze zufolge bewegen wir uns permanent in einem Strom von Bewegungsbildern. Vor diesem Hintergrund zeigt Jonas Hänel, dass eine bewegungsbildbasierte Forschung quer zu den Themenbereichen Bildung, Kino und Pflege und ausgehend von Michael Hanekes Film »Liebe« (2012) neue Qualitäten in den Blick rückt. Neben der Beschreibung kontingenter Verläufe im Leben fokussiert er Intensitäten wie Affektionen und Affekte in unterschiedlichen performativen Handlungsvollzügen. Sei es die Beschreibung von Bildungs-, Pflege- oder auch filmischen Prozessen: Sein zentrales Anliegen ist es, die Prozessualität performativer Praxen in ihrem von Brüchen durchzogenen Werden nachzuzeichnen.
    URI
    https://library.oapen.org/handle/20.500.12657/59914
    Keywords
    Bildung; Kino; Film; Pflege; Gilles Deleuze; Michael Haneke; Wissenschaft; Bildungsforschung; Medienpädagogik; Pädagogik; Education; Cinema; Care; Science; Educational Research; Media Education; Pedagogy
    DOI
    10.14361/9783839464816
    ISBN
    9783839464816, 9783837664812, 9783839464816
    Publisher
    transcript Verlag
    Publisher website
    https://www.transcript-verlag.de/
    Publication date and place
    Bielefeld, 2022
    Imprint
    transcript Verlag
    Series
    Theorie Bilden, 45
    Classification
    Philosophy and theory of education
    Nursing
    Film history, theory or criticism
    Media studies
    Pages
    308
    Rights
    https://creativecommons.org/licenses/by-sa/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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