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dc.contributor.authorEdlund, Bengt
dc.date.accessioned2023-03-21T11:12:25Z
dc.date.available2023-03-21T11:12:25Z
dc.date.issued2023
dc.identifierONIX_20230321_9783631890943_6
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/61965
dc.description.abstractIn what ways can analytic reection be of avail when engaging in music as a musician? What restrictions of the interpreter’s freedom do musical scores impose? Which licences do musicians in fact allow themselves? Can hierarchical tonal analysis really guide musicians towards artistically rewarding interpretations? Or is perhaps a painstaking and sensitive study of the musical details, revealing continuous processes, a more productive path to telling performances? roughout the book, the views and discussions are amplied by music examples.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicologyen_US
dc.subject.otherAnalytical methods
dc.subject.otherBahsi
dc.subject.otherBengt
dc.subject.otherEdlund
dc.subject.otherEsra
dc.subject.otherGolden section
dc.subject.otherInterpretation
dc.subject.otherKeyboard
dc.subject.otherMusical ambiguity
dc.subject.otherMusical hermeneutics
dc.subject.otherMusical plagiarism
dc.subject.otherMusical similarity
dc.subject.otherSchenkerian analysis
dc.subject.otherThoughts
dc.subject.otherWits
dc.titleWits and Interpretation
dc.title.alternativeKeyboard Thoughts
dc.typebook
oapen.identifier.doi10.3726/b20238
oapen.relation.isPublishedBye927e604-2954-4bf6-826b-d5ecb47c6555
oapen.relation.isbn9783631890943
oapen.relation.isbn9783631890950
oapen.relation.isbn9783631889688
oapen.pages464
oapen.place.publicationBern


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