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dc.contributor.authorWilson, Emma
dc.date.accessioned2023-04-12T05:33:55Z
dc.date.available2023-04-12T05:33:55Z
dc.date.issued2021
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/62339
dc.description.abstractCéline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d’Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma’s films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skillsen_US
dc.subject.otherPerforming Arts
dc.subject.otherFilm
dc.subject.otherDirection & Production
dc.titleCéline Sciamma
dc.title.alternativePortraits
dc.typebook
oapen.relation.isPublishedBy2a191404-86cd-479e-afc8-ff2b8d611a94
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9781474440554
oapen.relation.isbn9781474425483
oapen.relation.isbn9781474425506
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintEdinburgh University Press
oapen.identifierhttps://openresearchlibrary.org/viewer/d06e89e7-725a-45fc-a18a-706665e0586f


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