Show simple item record

dc.contributor.editorBuchler, Michael
dc.contributor.editorDecker, Gregory John
dc.date.accessioned2023-04-20T09:29:27Z
dc.date.available2023-04-20T09:29:27Z
dc.date.issued2023
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/62518
dc.description.abstractThis book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.en_US
dc.languageEnglishen_US
dc.relation.ispartofseriesTracking Popen_US
dc.subject.classificationthema EDItEUR::A The Arts::AV Musicen_US
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLP Popular musicen_US
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicologyen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studiesen_US
dc.subject.otherMusical theater, Musical theatre, Broadway, American music, show tunes, Tin Pan Alley, analysis, music theory, form, phrase structure, rhythm, harmony, semiotics, text and music, gender, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein II, Leonard Bernstein, Frank Loesser, Jason Robert Brown, Jeanine Tesorien_US
dc.titleHere for the Hearingen_US
dc.title.alternativeAnalyzing the Music in Musical Theateren_US
dc.typebook
oapen.identifier.doi10.3998/mpub.11969716en_US
oapen.relation.isPublishedBye07ce9b5-7a46-4096-8f0c-bc1920e3d889en_US
oapen.relation.isFundedBye94990d9-9c81-43ad-b5d4-7c02e576bad8en_US
oapen.relation.isbn9780472133314en_US
oapen.relation.isbn9780472039302en_US
oapen.pages311en_US
oapen.remark.publicFunder name: Florida State University Library
peerreview.anonymityDouble-anonymised
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.review.decisionYes
peerreview.review.stagePre-publication
peerreview.review.typeFull text
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleExternal Review of Whole Manuscript
oapen.review.commentsThe proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication.


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record