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        Here for the Hearing

        External Review of Whole Manuscript

        Analyzing the Music in Musical Theater

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        Contributor(s)
        Buchler, Michael (editor)
        Decker, Gregory John (editor)
        Language
        English
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        Abstract
        This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.
        URI
        https://library.oapen.org/handle/20.500.12657/62518
        Keywords
        Musical theater, Musical theatre, Broadway, American music, show tunes, Tin Pan Alley, analysis, music theory, form, phrase structure, rhythm, harmony, semiotics, text and music, gender, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein II, Leonard Bernstein, Frank Loesser, Jason Robert Brown, Jeanine Tesori
        DOI
        10.3998/mpub.11969716
        ISBN
        9780472903535, 9780472133314, 9780472039302
        Publisher
        University of Michigan Press
        Publisher website
        https://www.press.umich.edu/
        Publication date and place
        2023
        Grantor
        • Florida State University
        Series
        Tracking Pop,
        Classification
        Music
        Popular music
        Theory of music and musicology
        Theatre studies
        Pages
        311
        Public remark
        Funder name: Florida State University Library
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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