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dc.contributor.authorDE CARLO, Andrea Fernando
dc.date.accessioned2023-05-01T13:41:36Z
dc.date.available2023-05-01T13:41:36Z
dc.date.issued2022
dc.identifierONIX_20230501_9791221500035_129
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/62713
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.otherDante Alighieri
dc.subject.otherInferno
dc.subject.otherPolish romanticism
dc.subject.otherAnabasis/Katabasis
dc.subject.otherReception of Dante’s Inferno
dc.titleChapter Et in Inferno ego! Sulle narrazioni di anabasi e catabasi d’ispirazione dantesca nelle opere dei romantici polacchi
dc.typechapter
oapen.abstract.otherlanguageThis paper focuses on the anabasis and katabasis narratives inspired by Dante in the works of the most representative Polish romantics: Adam Mickiewicz (1798-1855), Juliusz Słowacki (1809-1849), Zygmunt Krasiński (1812-1859) and Cyprian Kamil Norwid (1821-1883). It was the Divina Commedia which exercised the greatest influence on the poets, especially Inferno, which became a forerunner of the Polish reality itself. But whereas Dante’s Inferno is identified with the underworld, the Polish Romantics’ locus horridus coincides with the actual world. If the Dantesque journey is a katabasis to the underworld, the descent portrayed by Polish poets is an anabasis towards a volcano crater covered with lava and ice. Moreover, according to the martyrological view, the Polish reality in those days was not only a place of suffering and tribulation, but also of expiation, which was a preparation for the arrival of paradise on Earth.
oapen.identifier.doi10.36253/979-12-2150-003-5.05
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221500035
oapen.series.number70
oapen.pages16
oapen.place.publicationFlorence


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