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    David Lynchs »Mulholland Drive« verstehen

    Visuelles Erzählen und die Dramaturgie der offenen Form

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    Author(s)
    Lang, Christine
    Language
    German
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    Abstract
    »Mulholland Drive« (2001) von David Lynch ist ein Filmklassiker und ein Stück Popkultur. Seine Attraktion beruht vor allem auf der bedeutungsoffenen und »verrätselnden« Erzählweise, welche Zuschauende zur Interpretation einlädt. Christine Lang legt in einer detaillierten Studie dar, wie sich diese Rezeptionsbeziehung realisiert. Sie analysiert die narrative Struktur und die ästhetischen Strategien mit Methoden und Begriffen der Dramaturgie und macht den Film und seine avancierte Erzählweise dadurch auch inhaltlich nachvollziehbar.
    URI
    https://library.oapen.org/handle/20.500.12657/74729
    Keywords
    Mulholland Drive; Film; Dramaturgie; Erzählen; Ästhetik; Popkultur; David Lynch; Filmästhetik; Postmoderne; Bild; Medien; Medienästhetik; Bildwissenschaft; Analoge Medien; Medienwissenschaft; Dramaturgy; Storytelling; Aesthetics; Popular Culture; Film Aesthetics; Postmodernism; Image; Media; Media Aesthetics; Visual Studies; Analogue Media; Media Studies
    DOI
    10.1515/9783839466476
    ISBN
    9783839466476, 9783837666472, 9783839466476
    Publisher
    transcript Verlag
    Publisher website
    https://www.transcript-verlag.de/
    Publication date and place
    Bielefeld, 2023
    Imprint
    transcript Verlag
    Series
    Film,
    Classification
    Film history, theory or criticism
    Media studies
    Theory of art
    Pages
    288
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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