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dc.contributor.editorHagener, Malte
dc.contributor.editorZimmermann, Yvonne
dc.date.accessioned2023-11-13T11:19:36Z
dc.date.available2023-11-13T11:19:36Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/85023
dc.description.abstractThis book proposes a transnational, entangledand culturally diverse approach towards anarchaeology of film history, while paying specificattention to persons, objects, infrastructures,regions, institutional fields and events hithertooverlooked. It explores past and ongoing processesof doing, undoing and redoing film history.Thereby, in a self-reflective gesture, it also drawsattention to our own work as film historians.
dc.languageEnglishen_US
dc.relation.ispartofseriesFilm Culture in Transitionen_US
dc.subject.otherFilm History, Media Archaeology, Historiographyen_US
dc.titleHow Film Histories Were Madeen_US
dc.title.alternativeMaterials, Methods, Discoursesen_US
dc.typebook
oapen.identifier.doi10.5117/9789463724067en_US
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857aen_US
oapen.relation.isFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901*
oapen.relation.isbn9789463724067en_US
oapen.collectionDFG Open Access Publication Funding
oapen.pages532en_US
oapen.grant.number423266924*


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