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        Women Making History

        The Revolutionary Feminist Postcard Art of Helaine Victoria Press

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        Author(s)
        Allen, Julia M.
        Cohen, Jocelyn H.
        Language
        English
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        Abstract
        Nourished by the cultural exuberance of second wave feminism, Helaine Victoria Press was a home-grown effort of two young women, Jocelyn Cohen and Nancy Poore, who learned how to print, established a printshop, and became the first publishers of women’s history postcards. The authors of Women Making History demonstrate that by creating postcards, Helaine Victoria Press aimed to do more than provide a convenient writing surface or even affect collective memory. Instead, they argue, the press generated feminist memory. The cards, each with the picture of a woman or group of women from history, were multimodal. Pictures were framed in colors and borders appropriate to the era and subject. Lengthy captions offered details about the lives of the women pictured. Unlike other memorials, the cards were mobile: they traveled through the postal system, viewed along the way by the purchasers, mail sorters, mail carriers, and recipients. Upon arriving at their destinations, cards were often posted on office bulletin boards or refrigerators at home, where surroundings shaped their meanings. This is the first book to demonstrate the relationships between the feminist art movement, the women in print movement, and the scholars studying women’s history. Readers will be drawn to both the large quantity of illustrative materials and the theoretical framework of the book, as it provides an expanded understanding of rhetorical multimodality.
        URI
        https://library.oapen.org/handle/20.500.12657/87541
        Keywords
        Postcard, feminism, women, second-wave, memory, letterpress, gender, history, conference, Women’s Liberation Movement, movement, Art, Program, female, aesthetic, womyn, first-wave, intersectionality, accessible, nonprofits, publishing, papermaking, handmade paper, Judy Chicago, Miriam Shapiro, Arlene Raven, Harlem Renaissance, Helen Nearing, Scott Nearing, Michigan Women’s Music Festival, Postal, rhetoric, multimodal, business, Lesbian, culture, labor, suffrage, votes, African American women, Latin American, Latinas, Chicanas, Black, Native, Jewish, disabilities, printers, Chandler & Price, printshop, small press, subsistence living, back to the land movement, bookstore, publisher, collecting, broadside, bookplate, self-sufficiency, political action, social change, craftswomen, craftswimmin, collaboration, protests, demonstrations, fine printing, ephemera, memorabilia, Ruth Iskin, Berkshire, Rosie the Riveter, Seneca Falls, Women’s Rights National Historical Park, Rosie the Riveter National Historical Park, Helen Alm, consciousness, collective memory, public memory, Gestetner, Rotaprint, Sheila de Bretteville, cultural work, Chicago, social, equality, systemic inequalities, sexism, HERstory, identity, cross dressing, coming out, photographs, photography, racism, Chicano Studies
        DOI
        10.3998/mpub.12737267
        ISBN
        9781643150369, 9781643150352
        Publisher
        Lever Press
        Publisher website
        https://www.leverpress.org/
        Publication date and place
        2023
        Classification
        History
        Social and cultural history
        Pages
        480
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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