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dc.contributor.authorKeller, Thomas
dc.date.accessioned2024-03-02T05:33:08Z
dc.date.available2024-03-02T05:33:08Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/88105
dc.description.abstractThis study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticismen_US
dc.subject.otherLiterary Criticism
dc.subject.otherComparative Literature
dc.titleWyndham Lewis and British Art Rock
dc.title.alternativeA Practicological Modernism
dc.typebook
oapen.identifier.doi10.24053/9783381108527
oapen.relation.isPublishedBy128f4eaf-b976-470a-aeab-1f47e0953a83
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isbn9783381108510
oapen.relation.isbn9783381108534
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintA. Francke Verlag
oapen.identifierhttps://openresearchlibrary.org/viewer/9732ee69-eee3-46de-b806-3fdc46e8d037


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