Conservation of Contemporary Art
Bridging the Gap Between Theory and Practice
Contributor(s)
van de Vall, Renée (editor)
van Saaze, Vivian (editor)
Language
EnglishAbstract
This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
Keywords
Contemporary Art; Conservation; Curating; Practice theory; Museums; Ethics; management; European cultural heritage; professional expertise; heritage institutions; conservatorsDOI
10.1007/978-3-031-42357-4ISBN
9783031423574, 9783031423567, 9783031423574Publisher
Springer NaturePublisher website
https://www.springernature.com/gp/products/booksPublication date and place
Cham, 2024Imprint
Springer International PublishingSeries
Studies in Art, Heritage, Law and the Market, 9Classification
International law
Comparative law
Methods, theory and philosophy of law
Cultural studies
Museology and heritage studies
Public international law
Archaeology