Chapter 1 The Rant
Abstract
Since 1980, when neoliberal and neoconservative forces began their hostile takeover of western culture, a new type of political satire has emerged that works to unmask and deter those toxic doctrines. Literary and cultural critic Kirk Combe calls this new form of satire the Rant. The Rant is grim, highly imaginative, and complex in its blending of genres. It mixes facets of satire, science fiction, and monster tale to produce widely consumed spectacles—major studio movies, popular television/streaming series, bestselling novels—designed to disturb and to provoke. The Rant targets what Combe calls the Regime. Simply put, the Regime is the sum of the dangerous social, economic, and political orthodoxies spurred on by neoliberal and neoconservative polity. Such practices include free-market capitalism, corporatism, militarism, religiosity, imperialism, racism, patriarchy, and so on. In the Rant, then, we have a unique and wholly contemporary genre of political expression and protest: speculative satire.
Keywords
Menippean Satire,Modern Satire,Cognitive Estrangement,post-Marxist Theory,Speculative Satire,Manifest Fiction,Fake News Program,MaddAddam,Science Fiction,Speculative Fiction,Roundabout,Satiric Tradition,Feminist Fabulation,Modern Power,Nietzschean Affirmation,Situational Satire,Monster Tale,MaddAddam Trilogy,Timeless,Strange Newness,Frees Women,Possessive Individualism,Social Antagonism,Fantastic Voyage,Swift’s Gulliver’s TravelsDOI
10.4324/9781003110491-2ISBN
9780367626815, 9780367654092, 9781003110491Publisher
Taylor & FrancisPublisher website
https://taylorandfrancis.com/Publication date and place
2021Grantor
Imprint
RoutledgeClassification
Literature: history and criticism
Literary studies: fiction, novelists and prose writers
Television
International relations
Political ideologies and movements
Popular culture