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    Accidental Archivism

    Shaping Cinema’s Futures with Remnants of the Past

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    Author(s)
    Agina, Añulika
    Alipanah, Hadi
    Babić, Gaby
    Balatbat-Helbock, Lynhan
    Balsom, Erika
    Beckmann, Marie Sophie
    Bernien, Mareike
    Biswas, Amrita
    Çakmak, Sema
    Campanini, Sonia
    Carter, Erica
    Çelikaslan, Özge
    César, Filipa
    Cheeka, Didi
    Davis, Vaginal
    Dutta, Madhusree
    El Said, Tamer
    Escobar López, Almudena
    Glazunova, Mariia
    Gregor, Ulrich
    Goncharuk, Olena
    Gramann, Karola
    Hariharan, Veena
    Hassan, Mohammad Shawky
    Heredia, Shai
    Hering, Tobias
    Ingravalle, Grazia
    Kaushik, Ritika
    Keidl, Philipp Dominik
    Pratiwi, Julita
    Rahman, Lisabona
    Khitsinska, Ivanna
    Kim, Hieyoon
    Kloeckner, Laura
    Kröger, Merle
    Makarevic, Asja
    Meyn, Nils
    Ndaliko Katondolo, Petna
    Ohene-Asah, Rebecca
    Pantenburg, Volker
    Perneczky, Nikolaus
    Pitassio, Francesco
    Ruhm, Constanze
    Schlüpmann, Heide
    Schneider, Alexandra
    Shambu, Girish
    Siegel, Marc
    Sungu, Can
    Thieme, Clarissa
    Turajlić, Mila
    Vasudevan, Ravi
    Venturini, Simone
    Younis, Ala
    Contributor(s)
    Schulte Strathaus, Stefanie (editor)
    Hediger, Vinzenz (editor)
    Collection
    DFG - German Research Foundation
    Language
    English
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    Abstract
    In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.
    URI
    https://library.oapen.org/handle/20.500.12657/88705
    Keywords
    activism; pandemic; cinema; digitality; archivism; media ecology; repositories
    DOI
    10.14619/0535
    ISBN
    9783957960542, 9783957960535, 9783957960542
    Publisher
    meson press
    Publisher website
    https://meson.press/
    Publication date and place
    Lüneburg, 2023
    Grantor
    • Deutsche Forschungsgemeinschaft - 310565625 - GRK 2279: Konfigurationen des Films - Graduiertenkolleg
    Imprint
    meson press
    Series
    Configurations of Film, 8
    Classification
    Film theory & criticism
    Library, archive & information management
    Media studies
    Pages
    492
    Rights
    https://creativecommons.org/licenses/by-sa/4.0/
    • Imported or submitted locally

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    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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