Das Schweigen der Gewalt
Ästhetisierte Gewalt in der Prosa Jung-Wiener Autoren um 1900
| dc.contributor.author | Reichart, André | |
| dc.date.accessioned | 2024-04-08T14:04:02Z | |
| dc.date.available | 2024-04-08T14:04:02Z | |
| dc.date.issued | 2022 | |
| dc.identifier | ONIX_20240408_9783839460368_83 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/89638 | |
| dc.language | German | |
| dc.relation.ispartofseries | Lettre | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general | |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history | |
| dc.subject.other | Wiener Moderne | |
| dc.subject.other | Jung-Wien | |
| dc.subject.other | Gewalt | |
| dc.subject.other | Kodierung | |
| dc.subject.other | Ästhetik | |
| dc.subject.other | Literatur | |
| dc.subject.other | 19. Jahrhundert | |
| dc.subject.other | 20. Jahrhundert | |
| dc.subject.other | Arthur Schnitzler | |
| dc.subject.other | Felix Salten | |
| dc.subject.other | Richard Beer-Hofmann | |
| dc.subject.other | Hermann Bahr | |
| dc.subject.other | Kulturgeschichte | |
| dc.subject.other | Germanistik | |
| dc.subject.other | Allgemeine Literaturwissenschaft | |
| dc.subject.other | Literaturwissenschaft | |
| dc.subject.other | Vienna Modern | |
| dc.subject.other | Young-vienna | |
| dc.subject.other | Violence | |
| dc.subject.other | Coding | |
| dc.subject.other | Aesthetics | |
| dc.subject.other | Literature | |
| dc.subject.other | 19th Century | |
| dc.subject.other | 20th Century | |
| dc.subject.other | Cultural History | |
| dc.subject.other | German Literature | |
| dc.subject.other | Literary Studies | |
| dc.title | Das Schweigen der Gewalt | |
| dc.title.alternative | Ästhetisierte Gewalt in der Prosa Jung-Wiener Autoren um 1900 | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Exzessive Gewaltdarstellungen in der heutigen Kunst haben ihren Ursprung in einem autonomieästhetischen Programm der Moderne, das es erst möglich macht, Gewalt zu ästhetisieren. In der Prosa Jung-Wiens kristallisieren sich um 1900 die unterschiedlichen kunstästhetischen Diskurse auch an bisher wenig erforschten Szenen der Gewalt heraus. Anhand verschiedener Texte der Jung-Wiener Autoren Schnitzler, Salten, Beer-Hofmann und Bahr geht André Reichart der Frage nach, ob die Gewalt als ausschließlich selbstreflexive ästhetische Darstellung existieren kann. | |
| oapen.identifier.doi | 10.14361/9783839460368 | |
| oapen.relation.isPublishedBy | b30a6210-768f-42e6-bb84-0e6306590b5c | |
| oapen.relation.isFundedBy | 4eda168c-0d3a-4c88-8a0b-8374ffa6c817 | |
| oapen.relation.isFundedBy | 4a1ea0f2-e46e-4025-bbc3-e853f4181d49 | |
| oapen.relation.isbn | 9783839460368 | |
| oapen.relation.isbn | 9783837660364 | |
| oapen.imprint | transcript Verlag | |
| oapen.pages | 294 | |
| oapen.place.publication | Bielefeld | |
| oapen.grant.number | […] | |
| oapen.grant.number | 101017536 | |
| oapen.grant.project | Backlisttransformation EOSC Future |
