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    Wie der Titel zu den Bildern kam

    Die livrets des Pariser Salons

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    Author(s)
    Loibl, Wolfgang
    Collection
    Austrian Science Fund (FWF)
    Language
    German
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    Abstract
    For a long time, works of art with traditional pictorial motifs were sufficiently comprehensible even without titles. Why, when and under what circumstances were titles nevertheless created? The livrets, the exhibition catalogues of the Paris Académie royale de peinture et de sculpture, document the genesis of titles as a gradual transition from descriptions of the works to concise short titles – the emergence of new, previously unknown pictorial motifs, the development of the art market and the beginning of art criticism demanded and favoured short, easy-to-read titles that facilitated the rapid identification of the content of the work as well as the art-theoretical discourse on artist and work.
     
    Lange Zeit waren Kunstwerke mit traditionellen Bildmotiven auch ohne Betitelung hinreichend verständlich. Weshalb, ab wann und unter welchen Begleitumständen entstanden dennoch Titel? Die livrets, die Ausstellungskataloge der Pariser Académie royale de peinture et de sculpture, zeigen die Titel-Genese als schrittweisen Übergang von Beschreibungen der Arbeiten hin zu prägnant gefassten Kurztiteln – das Aufkommen neuer, bis dahin unbekannter Bildmotive, die Entwicklung des Kunstmarkts und die beginnende Kunstkritik verlangten und begünstigten kurze, leicht lesbare Titel, die eine rasche Identifikation des Werkinhalts sowie den kunsttheoretischen Diskurs über Künstler und Werk erleichterten.
     
    URI
    https://library.oapen.org/handle/20.500.12657/91164
    Keywords
    Kunstgeschichte; ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019); Kunsttheorie; ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunsttheorie (604020); Ausstellungskataloge, Museumskataloge und Sammlungen; Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG) -- Ausstellungskataloge, Museumskataloge und Sammlungen (AGC); Bildtitel; Pariser Salon; Livrets; Ausstellungsverzeichnisse; Art history; ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019); Art theory; ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art theory (604020); Exhibition catalogues and specific collections; Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG) -- Exhibition catalogues and specific collections (AGC); picture titles; Paris Salon; livrets; exposition catalogues
    DOI
    10.11588/arthistoricum.1371
    ISBN
    9783942919159, 9783985012503
    Publisher
    ad picturam Fachverlag für kunstwissenschaftliche Literatur e.K.
    Publication date and place
    2024
    Grantor
    • FWF - https://doi.org/10.55776/PUB908
    Imprint
    ad picturam
    Rights
    https://creativecommons.org/licenses/by-nc/4.0/
    • Harvested from FWF

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    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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