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    Ernst Kurth und Sergej Taneev

    Philosophie linearer Satztechniken zu Beginn des 20. Jahrhunderts und ihre Auswirkungen auf zeitgenössische Kompositionen

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    Author(s)
    Binder, Max
    Collection
    AG Universitätsverlage
    Language
    German
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    Abstract
    The emergence of Linearity at the beginning of the 20th century represents a remarkable but yet rarely dealt with phenomenon in music history. Two main protagonists of the time were Ernst Kurth (Bern) and Sergei Taneev (Moscow), whose counterpoint theories formed the basis for the work of numerous musicians of the time. Although concerning the same subject, both theories show fundamental differences, in music-theoretical as well as in music-aesthetic respect. It turns out that these different philosophies are reflected in numerous works by composers such as Ernst Křenek, Artur Schnabel, Alexander Scriabin and Nikolaj Metner.
     
    Das Aufkommen linearer Strömungen zu Beginn des 20. Jahrhunderts stellt ein bemerkenswertes und bislang wenig beschriebenes Phänomen der Musikgeschichte dar. Zwei Hauptprotagonisten waren Ernst Kurth (Bern) und Sergej Taneev (Moskau), deren Kontrapunkttheorien Grundlagenwerke für das Wirken zahlreicher Musikschaffender der Zeit bildeten. Obwohl denselben Gegenstand betreffend, weisen beide Theorien fundamentale Unterschiede auf, in musiktheoretischer wie in musikästhetischer Hinsicht. Es stellt sich heraus, dass diese unterschiedlichen Philosophien sich in zahlreichen Werken von Komponisten wie Ernst Křenek, Artur Schnabel, Alexander Skrjabin und Nikolaj Metner widerspiegeln.
     
    URI
    https://library.oapen.org/handle/20.500.12657/92635
    Keywords
    Composition; Musicology; Music theory; Counterpoint; Comparative analysis
    DOI
    10.17885/heiup.1131
    ISBN
    9783968221557, 9783968221540
    Publisher
    Heidelberg University Publishing (heiUP)
    Publisher website
    https://heiup.uni-heidelberg.de/
    Publication date and place
    Heidelberg, 2024
    Imprint
    heiUP
    Series
    Heidelberger Schriften zur Musikwissenschaft, 2
    Classification
    Theory of music and musicology
    Pages
    213
    Rights
    https://creativecommons.org/licenses/by-sa/4.0/
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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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