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        Verse Form and Meaning in the Poetry of Vladimir Maiakovskii 

        Aizlewood, Robin (1989)
        Maiakovskii himself said that a rhythmical 'rumble' was the basis of his verse, and demonstrated the actual generation of his verse from the bare rhythmical gul through intermediate versions to its final verbal form. In ...
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        A Semiotic Analysis of the Short Stories of Leonid Andreev (1900-1909) 

        Hutchings, Stephen (1990)
        This book applies the techniques of semiotic analysis to a selection of short stories by Leonid Andreev in an attempt to offer one answer to the problems of categorizing Andreev’s unique art and placing it within a ...
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        Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle 

        Kearns, James (1989)
        This study has two main aims. The first is to inform about approaches to painting among the poets and critics who, during the years 1885-95, were associated with the French Symbolist movement. The second is to examine the ...
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        Quevedo on Parnassus 

        Julian Smith, Paul (1987)
        Quevedo, who for much of his life was a nobleman politically active at court, is now remembered as one of the great writers of the Baroque era. His love poems are among the best regarded from his substantial poetic oeuvre, ...
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        The Second Continuation of the Old French Perceval 

        Corley, Corin F. V. (1987)
        The main aim of this study of the second continuation of the Perceval of Chrétien de Troyes is to establish exactly what it consists of, where it begins and ends, whether it is a single unit — and if not to what extent it ...
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        A Critical, Old-Spelling Edition of The Birth of Merlin (Q1662) 

        Udall, Joanna (1991)
        Credited on its first title page to William Shakespeare and William Rowley, The Birth of Merlin continues to provoke speculation about its place in the Shakespeare ‘Apocrypha’. The play is an imaginative re-working of the ...
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        Sexuality and the Sense of Self in the Works of Georg Trakl and Robert Musil 

        Webber, Andrew (1990)
        This book undertakes a comparative reassessment of psychosexual concerns in the works of Georg Trakl and Robert Musil. The two authors, so different in other respects, are shown to converge in their coordinated treatment ...
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        The Work and Thought of Jean Grenier (1898-1971) 

        Garfitt, J. S. T. (1983)
        For some, Jean Grenier is an intriguing philosopher and essayist, for others he is primarily the madter of Albert Camus. A prolific writer, he worked as a teacher until his retirement in 1968, holding posts in Egypt and ...
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        Les Enseignements de Théodore Paléologue 

        Knowles, Christine (1983)
        Les Enseignemens ou Ordenances pour un Siegneur qui a Guerres et Grans Gouvernemens a Faire, often referred to as Les enseignements, was a military manual by Theodore I, Marquess of Montferrat (1290-1338). Originally ...
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        Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht 

        Helena Gonçalves da Silva, M. (1985)
        Gonçalves da Silva studies a range of expressionist playwrights who transformed German drama in the twentieth century: from Frank Wedekind, who grew up in a Swiss castle, became an actor and was imprisoned for satirical ...
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        Georg Büchner's 'Dantons Tod' 

        James, Dorothy (1982)
        Büchner's turbulent drama Dantons Tod presents problems of characterisation on a different order of magnitude from those of the works which followed, not least because it was Büchner's first play, and a very ambitious one. ...
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        Valentin Rasputin and Soviet Russian Village Prose 

        Gillespie, David C. (1986)
        The city and the village represent two poles of Soviet society and ideology. The city symbolizes the future; the industrial proletariat is the natural ally of the Party. But the village provides a constant reminder of ...
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        The Ethics of Narration 

        Riordan, Colin (1989)
        Colin Riordan finds the key to Uwe Johnson's puzzling works in an idiosyncratic moral code to which both Johnson and his narrative figures adhere. This code underlies the development in Johnson's prose from his first novel ...
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        The Problem of Christ in the Work of Friedrich Hölderlin 

        Ogden, Mark (1991)
        This study sets out to challenge the usual approach to the question of Hölderlin’s response to Christ, which focuses on no more than two or three late hymns, by tracing, through each major stage of Hölderlin’s work, a ...
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        Violette Leduc 

        Hughes, Alex (1994)
        Most analyses of Violette Leduc’s writing have concentrated on its autobiographical dimension, dealing almost exclusively with her best known volume, La Bâtarde. Violette Leduc: Mothers, Lovers, and Language offers readings ...
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        Spirit of the Totem 

        Maryniak, Irena (1995)
        The book presents an original, interdisciplinary analysis of religious and mythological perspectives in fiction published in the Soviet Union between the mid-1960s and the mid-1980s. In doing so, it points to ways in which ...
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        The Poetics of Mockery 

        Perrino, Mark (1995)
        The Poetics of Mockery reconsiders Wyndham Lewis’s adversarial role in the modernist movement through a close reading of his prodigious satire of 1920s cultural politics. It presents a new interpretation of The Apes of God ...
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        Horace’s Epistles, Wieland and the Reader 

        Curran, Jane V. (1995)
        Wieland’s translations of Horace’s Epistles, neglected until recently, demonstrate his skill in overcoming the bipolar relationship implied in the very idea of translation. Thanks to a strong, cosmopolitan fellow-feeling ...
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        Dialogue and Narrative Design in the Works of Adalbert Stifter 

        Haines, Brigid (1991)
        Brigid Haines focuses on the crucial interplay between dialogue and narrative in Adalbert Stifter’s works and relates this to their overall structure. Stifter, a conservative and often didactic writer, is nevertheless shown ...
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        The Art Criticism of Francis Ponge 

        Jordan, Shirley A. (1994)
        This study of Francis Ponge’s essays on contemporary artists (L’Atelier contemporain) attempts to broaden the popular view of the author as a ‘poet of objects’. It explores Ponge’s perception of art criticism as an inherently ...
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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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