Beyond Virtual Production
Integrating Production Technologies
Contributor(s)
Barnett, Tully (editor)
Bevan, Jason (editor)
Mackness, Cameron (editor)
Wallin, Zoë (editor)
Language
EnglishAbstract
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film, to a VR simulation of the last 100 seconds of life of earth, to the live performance of the virtual band Big Sands, to augmented and extended reality, to archaeological projects, this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond. It offers insight into the development of virtual production courses and encompasses research into theories of performance, liveness, methods for co-creation, gender in virtual production careers, and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners, researchers, students, and teachers will find inspiration and practical guidance in these chapters.
Keywords
Virtual; Production; MediaDOI
10.4324/9781003449492ISBN
9781040230466, 9781003449492, 9781040230497, 9781032582931, 9781032582924, 9781040230466Publisher
Taylor & FrancisPublisher website
https://taylorandfrancis.com/Publication date and place
Oxford, 2025Grantor
Imprint
Focal PressClassification
Filmmaking and production: technical and background skills
Audio processing
Theatre studies