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    Linguaggi dal margine

    Shakespeare nel teatro italiano contemporaneo

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    Author(s)
    MONTORFANO, BEATRICE cc
    Language
    Italian
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    Abstract
    “Who owns Shakespeare?” is a compelling question when one decides to delve into the relationship between the English author and experiences that share, albeit with considerable mutual differences, the category of marginality. At the centre of the volume are the case studies: Un’isola. Dalla mia finestra si vedono le montagne (2018), a production based on The Tempest and performed by the actors-prisoners of the Vigevano prison, directed by Alessia Gennari; Otello Circus (2018), by the company La Ribalta/Accademia Arte della Diversità, staged with actors with disabilities by director Antonio Viganò; Mal’essere (2017), a rewriting in Campania dialects of Hamlet, conceived and directed by Davide Iodice and produced by the Teatro Stabile di Napoli.
    URI
    https://library.oapen.org/handle/20.500.12657/96202
    Keywords
    Shakespeare; theatre; Italy; translation; marginality
    DOI
    10.36253/979-12-215-0520-7
    ISBN
    9791221505207, 9791221505191, 9791221505214, 9791221505221, 9791221505207
    Publisher
    Firenze University Press
    Publisher website
    https://www.fupress.com/
    Publication date and place
    Florence, 2024
    Imprint
    USiena Press
    Series
    Studi di letterature moderne e comparate, 5
    Pages
    174
    Rights
    https://creativecommons.org/licenses/by-sa/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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