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    Theater, War, and Memory in Crisis

    External Review of Whole Manuscript

    Vichy, Algeria, the Aftermath

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    Author(s)
    Ireland, John
    Language
    English
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    Abstract
    Theater, War, and Memory in Crisis explores how French and Algerian dramatists have engaged with two traumatic events that continue to haunt France: the German occupation and Vichy government from 1940 to 1944 and the Algerian War from 1954 to 1962. John Ireland’s investigation is guided by one central question: can theater take on issues of violence, war trauma, and conflicted memory in a fundamentally different way from archival forms of culture such as memoirs, narrative fiction, and film? Throughout the twentieth century, French cultural anthropologists, classicists, and social scientists repeatedly revisited links between archaic religious ritual, the practice of sacrifice, and Greek tragedy as attempts to understand, regulate, and mitigate the violence of human conflict and war. Ireland argues that contemporary French playwrights dealing with war trauma and contested memory were influenced by aspects of this research that foregrounded the core virtues of oral culture: presence and the present, the “here and now” that also regulate theatrical performance. That connection to the present encouraged dramatists and performance artists to make “live” historiographical contributions to reverberating, unresolved history but also revived perennial therapeutic values of oral culture that evolved in ancient Greece. Theater, War, and Memory in Crisis brings original readings of canonical authors like Jean-Paul Sartre, Jean Genet, Bernard-Marie Koltès, and Kateb Yacine into dialogue with non-canonical dramatists such as Armand Gatti, Liliane Atlan, and Noureddine Aba.
    URI
    https://library.oapen.org/handle/20.500.12657/98905
    Keywords
    theater, performance, war, history, memory, postmemory, pedagogy, oral culture, ritualbanquet culture, pan-Hellenism, trauma, PTSD, Vichy years, Algerian War, literacy, Arabs andthe Maghreb, Islamic culture, divine possession, chorus, dithyramb, archaic epic, deportation, torture, racism, anti-Semitism, holocaust, Shoah
    DOI
    10.3998/mpub.12783158
    ISBN
    9780472077281, 9780472057283, 9780472904891
    Publisher
    University of Michigan Press
    Publisher website
    https://www.press.umich.edu/
    Publication date and place
    2025
    Series
    Theater: Theory/Text/Performance,
    Classification
    Performing arts
    Theatre studies
    Literature: history and criticism
    European history
    Pages
    385
    Public remark
    Funder name: The Herbert A. and Bessie W. Kenyon Dramatic Library
    Rights
    https://creativecommons.org/licenses/by-nc/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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