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    Japanische Fan-Comics

    Transkulturelle Potenziale und lokale Gemeinschaft

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    Author(s)
    Hülsmann, Katharina
    Language
    German
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    Abstract
    In Japan findet jährlich eine Vielzahl von Amateur-Comic-Events, darunter die größte Comic-Messe weltweit, die Comiket, statt. Entgegen dem globalen Trend zur Digitalisierung im Comic-Bereich wird ein Großteil der dortigen Werke nach wie vor von den Künstler*innen selbst verlegt, gedruckt und herausgegeben. Katharina Hülsmann nimmt die Kultur japanischer Fan-Comics (sog. dōjinshi) in den Blick: Wie entwickelte sich eine solch solide Infrastruktur in Japan und warum hält sie sich bis heute? Welche Anschlussmöglichkeiten haben dōjinshi an ein globales Fandom, wenn sie sich im Internet eher wenig verbreiten? Und was treibt japanische Amateur-Künstler*innen an, ihre Werke mit viel Aufwand herzustellen und mit anderen Fans zu teilen?
    URI
    https://library.oapen.org/handle/20.500.12657/99283
    Keywords
    Comic; Fandom; Manga; Japan; Culture; Kultur; Comiket; Kunst; Art; Popkultur; Popular Culture; Medien; Media; Analoge Medien; Analogue Media; Asia; Asien; Kulturwissenschaft; Cultural Studies
    ISBN
    9783839470978, 9783837670974, 9783839470978
    Publisher
    transcript Verlag
    Publisher website
    https://www.transcript-verlag.de/
    Publication date and place
    2025
    Imprint
    transcript
    Series
    Comic-Kulturen, 2
    Classification
    Graphic novel and Manga artwork
    Popular culture
    Media studies
    Pages
    286
    Rights
    https://creativecommons.org/licenses/by-sa/4.0/
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    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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