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        Märchenadaptionen in Romanen und Novellen von Christoph Martin Wieland zu Thomas Mann - Eine exemplarische Untersuchung

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        Author(s)
        Yang, Zhizi,
        Collection
        AG Universitätsverlage
        Language
        German
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        Abstract
        This work deals with intertextual theories and investigates narrative texts (by Wieland, Novalis, Chamisso, Storm, Andersen and Thomas Mann) from the Enlightenment of the 18th century to Classical Modernism of the early 20th century. In addition to the fairytale requisites, the less obvious fairytale-like text structures, which show a connection between different literary genres (novella/novel and fairytale) and a confrontation between the fairytale-like and the fictitious-realistic, will also be examined. The relationship between the writing process of fairytale adaptation and literary modernity - a literary modernity that reflects a social modernity characterized by its social ambivalence and plurality (modernity as a macro epoch after Anke Lohmeier and Dirk von Petersdorff) - will be shown. The six narrative texts - Die Abentheuer des Don Sylvio von Rosalva, Die Lehrlinge zu Sais, Peter Schlemihls wundersame Geschichte, Der Schimmelreiter, Peer im Glück (as an excursion and outlook into contemporary European literature) and Königliche Hoheit - with their diversity of layers of meaning are regarded as modern narrative texts and represent various milestones in the development of the concept of modernity.
         
        Diese Arbeit beschäftigt sich mit intertextuellen Theorien und untersucht Erzähltexte (von Wieland, Novalis, Chamisso, Storm, Andersen und Thomas Mann von der Aufklärung des 18. Jahrhunderts bis zur Klassischen Moderne des frühen 20. Jahrhunderts. Betrachtet werden neben den Märchenrequisiten auch die weniger auffälligen märchenhaften Textstrukturen, die eine Verknüpfung zwischen verschiedenen literarischen Gattungen (Novelle/Roman und Märchen) und eine Auseinandersetzung zwischen dem Märchenhaften und dem Fiktiv-Realistischen zeigen. Aufgezeigt werden soll die Beziehung zwischen dem Schreibverfahren der Märchenadaption und der literarischen Moderne – einer literarischen Moderne, die eine gesellschaftliche Moderne refl ektiert, welche durch ihre gesellschaftliche Ambivalenz und Pluralität gekennzeichnet ist (die Moderne als Makroepoche nach Anke Lohmeier und Dirk von Petersdorff). Die sechs Erzähltexte – Die Abentheuer des Don Sylvio von Rosalva, Die Lehrlinge zu Sais, Peter Schlemihls wundersame Geschichte, Der Schimmelreiter, Peer im Glück (als Exkurs und Ausblick in die zeitgenössische europäische Literatur) und Königliche Hoheit – gelten mit ihrer Vielfalt der Bedeutungsschichten als moderne Erzähltexte und stellen verschiedene Meilensteine in der Entwicklung des Moderne-Begriffes dar.
         
        URI
        https://library.oapen.org/handle/20.500.12657/37238
        Keywords
        fairy-tale adaptation; literary modernism; intertextuality
        DOI
        10.17875/gup2018-1105
        ISBN
        9783863953690
        OCN
        1083023327
        Publisher
        Universitätsverlag Göttingen
        Publication date and place
        2018
        Classification
        Language and Linguistics
        Rights
        http://creativecommons.org/licenses/by-sa/4.0/deed.de
        • Harvested from Göttingen

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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