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    Technocrats of the Imagination

    Art, Technology, and the Military-Industrial Avant-Garde

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    Author(s)
    Beck, John
    Bishop, Ryan
    Collection
    Knowledge Unlatched (KU)
    Number
    103785
    Language
    English
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    Abstract
    Technocrats of the Imagination traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany’s Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s.
    URI
    https://library.oapen.org/handle/20.500.12657/43811
    Keywords
    Art; Criticism & Theory
    DOI
    https://doi.org/10.1215/9781478007326
    ISBN
    9781478007326
    Publisher
    Duke University Press
    Publisher website
    https://www.dukeupress.edu/
    Publication date and place
    2020
    Grantor
    • Knowledge Unlatched
    Imprint
    Duke University Press
    Classification
    The arts: general topics
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
    • Harvested from KU

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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