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    From Self-Fulfilment to Survival of the Fittest

    Work in European Cinema from the 1960s to the Present

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    Author(s)
    Mazierska, Ewa
    Collection
    Knowledge Unlatched (KU)
    Number
    104136
    Language
    English
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    Abstract
    Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, Dušan Makavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
    URI
    https://library.oapen.org/handle/20.500.12657/44008
    Keywords
    Performing Arts; Film; History & Criticism
    ISBN
    9781789204742
    Publisher
    Berghahn Books
    Publisher website
    https://berghahnbooks.com/
    Publication date and place
    2015
    Grantor
    • Knowledge Unlatched
    Imprint
    Berghahn Books
    Classification
    Film history, theory or criticism
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
    • Harvested from KU

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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